The book could be defined, both formally and conceptually, as a bound mosaic since it consists of various textual and visual elements, both archival and created specifically for this occasion by various authors. However, even though such a label brings it closer to the category of an artist's book, it is actually on the border, in other words, still in 'no man's land.' In a space where journalism, theory, design investigation, art history, and authorial interpretation meet. The compilation concept, however, is not pretentious in terms of presenting itself as a kind of dossier on collecting, but illuminates this phenomenon from individual, often subjective perspectives, whose collection is only defined as a contribution to a more comprehensive overview.